Ownership Is the Highest Form of Wealth

A Conversation on Control, Power, and Legacy

Interview by Taroue Brooks

In an industry built on exclusion and contradiction, wealth has long been framed as access—access to the rare, the expensive, the unattainable. But in cannabis, a marketplace still defining itself in real time, the definition is evolving. True wealth is not found in consumption. It is found in control.

As the industry matures into a billion-dollar economy, ownership has emerged as the most radical form of agency—especially for Black and Brown entrepreneurs historically locked out of high-barrier industries. For leaders navigating regulation, capital scarcity, and systemic inequity, success is no longer defined by proximity to power, but by permanence within it.

This conversation explores what it means to build, scale, and sustain ownership with intention—transforming licenses into legacies and businesses into vehicles for generational wealth.

Taroue Brooks: How do you personally define success in an industry that has historically excluded people who look like you?
Dennis Turner (Founder & Managing Partner, TMA): Success isn’t just about the P&L statement of a single store. For me, it’s about permanence, proof of concept, and who we bring up with us along the way.

Being one of very few African American dispensary owners in Washington means my success is often treated like a litmus test for equity across the entire state. That’s a weight, but it’s also a responsibility.

True success is operating at a level of excellence that makes it impossible to deny we belong here. It’s expanding from one location to multiple—proving that a minority-owned business can scale, manage complex compliance across state lines, and navigate the same market turbulence as major MSOs, all while maintaining 100% ownership and control.

Equally important is access. When we hire people who’ve been locked out of the traditional economy—often because of the War on Drugs—and train them in compliance, inventory management, or sales, we’re equipping them with skills that extend far beyond cannabis. That, to me, is the real win. Success is building a business strong enough to compete with the giants while ensuring our community rises with us.

Taroue Brooks: What structural barriers have most limited minority ownership, and how have you navigated them with intention and strategy?
Dennis Turner: The two biggest barriers are access to capital and the weaponization of compliance.

Traditional lending is virtually nonexistent. Predatory financing is everywhere—and it often strips founders of equity before they even open their doors. Beyond that, there’s a network gap. In cannabis, who you know directly impacts your margins. Minority owners have historically been excluded from the rooms where bulk purchasing agreements and strategic vendor partnerships are formed.

My approach has always been rooted in operational discipline and intentional networking. On the compliance side, I focus on policy literacy. Instead of complaining about complex social-equity requirements, I master them. I’ve personally handled affidavits and legal documentation to ensure eligibility because I refuse to be disqualified by a technicality.

At the same time, we build leverage through collaboration. We don’t wait for vendors to approach us—we create partnerships that allow us to negotiate pricing and terms comparable to larger operators. Strategy is how you close the gap.

Taroue Brooks: How does ownership in cannabis represent a new form of wealth and economic agency for Black and Brown entrepreneurs?
Dennis Turner: We’ve been conditioned to define wealth as access to high-end goods. But the highest form of wealth is autonomy.

Ownership in cannabis means determining your destiny without asking for permission. When you control the license, the lease, and the brand, you’re no longer consuming wealth—you’re producing it.

For Black and Brown entrepreneurs, holding a state-licensed asset in a billion-dollar industry is a reclamation of economic power that was systematically stripped away during prohibition. It shifts the conversation from employment to asset management, from survival to legacy.

Taroue Brooks: What practical steps must aspiring entrepreneurs take to position themselves for true equity in this space?
Dennis Turner: The first step is abandoning the employee mindset. Stop looking for a job and start looking for a problem to solve.

True equity requires aggressive financial literacy and regulatory fluency—especially beyond your home state. You need to understand emerging markets like New Mexico and New York, medical markets like Florida, and how tax codes and administrative regulations differ across jurisdictions.

The laws may change, but the business principles don’t. Knowledge is the only leverage that costs nothing to acquire—and delivers the highest return.

Taroue Brooks: What role do education, mentorship, and policy literacy play in leveling the playing field?
Dennis Turner: They’re the equalizers.

In a highly regulated industry, ignorance is expensive. One compliance violation can shut you down. Mentorship isn’t about motivation—it’s about technical transfer. It’s walking someone through an audit, integrating a POS system, or deciphering a lease agreement.

Policy literacy matters because regulations are the rules of the game. If you don’t know them better than your competition, you will lose. We have to teach the next generation not just how to grow the plant, but how to grow the infrastructure around it.

Taroue Brooks: How do you reconcile the wealth generated by cannabis with the harm inflicted on communities of color—and what responsibility do today’s owners carry?
Dennis Turner: You reconcile it by ensuring wealth doesn’t stagnate at the top.

The Green Rush cannot become another transfer of wealth from Black consumers to white corporations. Owners have a responsibility to act as bridges—hiring from impacted communities, mentoring social-equity applicants, and leaving the ladder down as we climb.

We can’t undo the War on Drugs, but we can reinvest profits into legal defense, education, and business grants that rebuild what was destroyed.

Taroue Brooks: How can consulting firms move beyond transactional advising to become architects of generational wealth?
Dennis Turner: Transactional advising fixes paperwork. Generational architecture builds futures.

At TMA, we focus on ten-year horizons—scalable operations, tax mitigation, and succession planning. We help founders structure deals so their children inherit assets, not liabilities.

We’re not just building dispensaries. We’re building family offices designed to survive consolidation and emerge as legacy holders.

Taroue Brooks: When you look ahead, what legacy do you hope your work leaves within cannabis and beyond?
Dennis Turner: I want my legacy to be the normalization of Black ownership in high-barrier industries.

I don’t want the next African American dispensary owner to be “the only one.” I want them to be one of many.

Ultimately, I hope I’m remembered as someone who didn’t just kick the door open—but built a doorframe strong enough that it could never be shut again.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com