BENTLEY BENTAYGA

The Ultimate SUV

LIFESTYLE:Ā Automotive Luxury

The Ultimate S.U.V.

An S.U.V. that Bond can appreciate—James Bond that is!

While Ian Fleming’s most famous protagonist has become synonymous with Aston Martin over the years, his first car was, in fact, a Bentley. In the first James Bond novel, Casino Royale, (1953), Fleming noted that ā€œBond’s car was his only personal hobby. One of the last of the 4.2 liter Bentleys with the supercharger by Amherst Villiers, he had bought it almost new in 1933 and had kept it in careful storage though the war…Bond drove it hard and well and with an almost sensual pleasure. It was a battleship grey convertible coupe, which really did convert, and it was capable of touring at ninety with thirty miles an hour in reserve.ā€

Bond’s automobile was one of the most lauded of all Bentleys and perhaps the ultimate performance car of its day. Its supercharger would have protruded from the front grille, making it a ā€œBlowerā€ Bentley, not dissimilar to the cars driven by the notorious Bentley Boys and Tim Birkin, who was described as ā€œthe greatest British driver of his dayā€ by W.O. Bentley. The Blower was a beautiful coach built machine, at once powerful and fast but ultimately elegant.

For more than 95 years, Bentley has continued to produce cars of the utmost quality, but they are no longer the preserve of the English gentry, or, evidently, the globetrotting super-spy. They’re an international brand and one that has had a dramatic effect on the global luxury automobile industry, having sold more than 10,000 cars a year for three consecutive years. This is just the start, though, and while the Continental GT—the first car produced under the helm of the Volkswagen group—ensured success, their newest car, the Bentayga, is going to propel them to new levels.

The Bentayga opens up another world for Bentley. It’s the first S.U.V. the Crewe firm has produced, opening up a new kind of customer to them, one who requires space for a family but who does not want to sacrifice a luxurious interior and that all-important dynamic driving experience. It’s a huge risk, and some might say it has the ability to alienate potential returning customers. There’s a reason Aston Martin stopped producing the Cygnet, after all. Bentley doesn’t appear to have been worrying, though, fearlessly claiming that the Bentayga is ā€œthe fastest, most luxurious and most exclusive S.U.V. in the world.ā€ They are largely correct.

The Bentayga is particularly fast. A far cry from the measly 25bhp power output of 007’s Blower, it has a crushing 600bhp and an even more impressive 900Nm of torque. What this equates to is devastating acceleration that, when you flatten the right pedal, belies the car’s enormous bulk. The low-end torque actually feels unnatural, to the point at which you wonder just how Bentley’s engineers manage it, considering the near two-and-a-half ton weight of the car. The 6.3 liter, twin-turbo W12 fizzles out at the top end, as you would expect, and its sound is far from inspiring, but the any-gear overtaking ability is truly meritorious. It will hit 60mph from standstill in just 4.0 seconds, and it will top out at 187mph, an unheard of feat for such a large machine. Where it impresses most, however, is in its ability to tackle virtually any road surface with aplomb. I drove the Bentayga on both desert dunes and race tracks, perhaps two of the most drastically different surfaces, and on both occasions it felt at home. Sure, it isn’t about to win the Paris-Dakar rally, nor is it about to topple the Nordschleife leaderboards, but its versatility speaks volumes of the car’s ability and, of course, the talented engineers who put in the hours at Bentley’s factory in northwest England.

It would be foolish to speak of the Bentayga without addressing the elephant in the room: its styling. It won’t appeal to everybody, but then neither did the Continental GT when it was first launched, in 2003, and that’s become something of a classic. What the Bentayga does do is set a precedent for what to expect from Bentley in the coming years. It references classic Bentley styling yet reinterprets it in a contemporary, sporting way while managing to remain elegant. According to Sang Yup Lee, Bentley’s chief exterior designer, ā€œThe exterior of Bentayga has a strong performance-oriented look, especially from the distance, because of the proportions (the high body side and dynamic roof line) and design cues (the powerful rear haunch), which are supported by aggressive deep-dish 22-inch wheels. But when you get closer, it is very elegant, because of the sophisticated surfaces, jewelry–like details and master craftsmanship in execution.ā€

No one can doubt that it has a palatial interior. The same attention to detail applied to other Bentleys has been blessed on the Bentayga, namely a level of quality and handiwork only the finest artisans can produce. Swaths of leather cover everything that isn’t either wood or turned aluminum, and the quilted leather seats hug you reassuringly behind the sporty steering wheel. It is a car you’ll want to spend time in—which is a good thing, considering its price. Starting at $169,699, the Bentayga is expensive. To compare, a new Range Rover costs $80,347 and a Porsche Cayenne S costs $64,453. But then, the Bentayga isn’t competing with them at all. It is both a car more luxurious than a top-of-the-line Range Rover and a machine faster than the quickest Cayenne Turbo S. It might not be the best looking S.U.V., but it is certainly the ultimate. And that’s something Bond would appreciate, surely.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIOĀ 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for ā€œspeaking the languageā€ of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that ā€œlightā€ to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that ā€œlightā€ to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com