Coleman Hughes

Writer, Podcaster & Opinion Columnist
Shares His Perspective On Black Progress

Shares His Various Perspectives on Black Progress

Systematic Racism, Reparations, and Black Power.

Coleman Hughes is a writer, podcaster, and opinion columnist who specializes in issues related to race, public policy, and applied ethics. Hughes’ writing has been featured in the New York Times, the Wall Street Journal, National Review, Quillette, The City Journal, and The Spectator. He has appeared on TV shows and podcasts, including Real Time with Bill Maher, Making Sense with Sam Harris, and The Jordan B. Peterson Podcast.

MONARCH MAGAZINE: Who inspires you?

COLEMAN HUGHES: On the topic of race, I’m inspired by Martin Luther King Jr., Bayard Rustin, Zora Neale Hurston, and many others.

MONARCH MAGAZINE: Who are some of your favorite authors?

COLEMAN HUGHES: My favorite writers are Thomas Sowell and Steven Pinker.

MONARCH MAGAZINE: Where did you develop your worldview regarding race relations?

COLEMAN HUGHES: From reading lots of books and living lots of life.

MONARCH MAGAZINE: What do you think are some barriers to Black America’s progress?

COLEMAN HUGHES: Despite the narrative of doom and gloom, Black Americans have been making huge strides in terms of health, wealth, education, and other standard metrics of well-being in the past several decades. As long as we keep society on the rails and remain vigilant, we should expect this progress to continue.

MONARCH MAGAZINE: I’ve watched interviews of you expressing your thoughts surrounding reparations. The pushback of responses that you received lead me to believe that due to the subject matter being so personal. The message you are communicating is not clearly heard. If you don’t mind, please share with our readers your stance on reparations?

COLEMAN HUGHES: Reparations should have been paid to freed slaves or their children. Perhaps reparations could still be paid to those who lived under Jim Crow. The rest of us (the vast majority of Black Americans) are so many generations removed from the crime that reparations are not owed. Reparations would not fix any of the problems associated with inner-city poverty, nor would it help race relations in general. Reparations is a tempting distraction from the real issues.

MONARCH MAGAZINE: Do you believe you have been embraced by white media more than Black media?

COLEMAN HUGHES: I’m not exactly sure what you mean by white media and Black media. (For instance, is CNN “white” or “Black”?) The truth is I don’t pay close attention to which media outlets like me and which do not. I do everything through my own media company to avoid the pressures of toeing the line that would come with being affiliated with any particular media outlet.

MONARCH MAGAZINE: And if so, why do you believe that is?
It may be safe to say that white America’s view of Black people can be described as monolithic. But are we, as Black Americans, guilty of pigeon holding ourselves?
COLEMAN HUGHES: I don’t think white America’s view of black people is monolithic. White Americans on the left and the right disagree deeply about the source of racial equality, the prevalence of racism in society, the barriers facing the Black community, and much more. There is enormous diversity of opinion both among white people and among Black people. That’s why it’s never wise to assume that you know what someone thinks just because you know their race.

MONARCH MAGAZINE: Within our community, we often hear the following expressions “Talking white” or “Black people should only date Black” What are your thoughts on this behavior?

COLEMAN HUGHES: We should all live and let live. Some people find that they can only form those kinds of bonds with people from their culture. That’s OK. Other people are comfortable dating outside the race. That’s OK too. Either way, no one should force their choices on others. As for “talking white:” it is an unfortunate bullying tactic that can discourage Black kids from trying their hardest in school. School is thought of as a “white thing,” so many Black kids avoid trying their best for fear of being called out. It’s a real shame.

MONARCH MAGAZINE: Generally, there is a comparison between African Americans’ horrific experiences in America with the Jewish Holocaust.

How do you reckon with the Jewish community telling their story to the point that it’s embedded within American culture yet did not happen in America? Versus the stifling of Black people telling our experience in America from slavery to the modern-day?

COLEMAN HUGHES: But Black people have been very successful at telling our story. Jews may have Schindler’s List, butwe have Roots. We forget this, but more Americans watched Roots than watched the Super Bowl the year it came out! Out of eleven federal holidays in America, two are dedicated to the Black freedom struggle: MLK Day and Juneteenth. Not to mention Black History Month and the magnificent Smithsonian museum dedicated to Black history in Washington D.C.––with an extensive exhibit on slavery and the middle passage. We have been far more successful at telling our story than we care to admit.

MONARCH MAGAZINE: Can you share the solutions America should adopt to equal the playing field when it comes to race?

COLEMAN HUGHES: Most of our efforts should be directed at improving public safety in dangerous neighborhoods and improving K-12 education. If a generation of Black kids grows in low-crime neighborhoods with excellent early childhood education, many of our problems will sort themselves out.

MONARCH MAGAZINE: Final question, any political aspirations?

COLEMAN HUGHES: I think I’d rather die than become a politician.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

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9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com