Fiskani Kaira

The Curator of Cross-Cultural Style
Introduces the House of Fiskani and expresses her process, passion, and purpose.
By Joy Kingsley-Ibeh

MONARCH: Let’s start from the beginning. You were born in Zambia. When did you come to the United States?

FISKANI KAIRA: I was born in Zambia. I came to America when I was three years old, so I was a toddler. My parents moved here for work. We ended up moving back to Zambia, I think when I was about seven or eight.

MONARCH: African names typically have a meaning. So tell us what yours means.

FISKANI KAIRA: Most Nigerians have this thing for names. Fiskani means the completion, and Kaira is my last name. And I’m my mother’s last child. It just means the very end, a completion of something.

MONARCH: When did your love for fashion begin?

FISKANI KAIRA: I have loved fashion since I can remember, so let’s take it back to maybe five or six, seven at the most. I played in my mother’s clothing. I was intrigued by so many things. I tried to put my little feet in her shoes and wear her gloves. Her closet was my happy space. I have love clothing as far back as I can remember.

MONARCH: So your parents probably knew that you would do something in fashion.

FISKANI KAIRA: Yeah, I’m sure if you’ve known me since I was a teenager and even younger, my interest was always fashion; I just couldn’t run away from it. It was always was always what sparked my interest.

MONARCH: Am I right that you dropped out of college to pursue your dreams? And how did your African parents deal with that?

FISKANI KAIRA: At the time, not so good. First let me say this as a disclaimer: Everyone should finish school. The decision I made to leave school was based on a calling I felt that was so big I had to respond to it. Not everyone gets that calling, but if you have it and you make such a decision, you just have to go through with it. And mine was fashion.

MONARCH: So what age would you say you were when that transition happened and when you got into the fashion world?

FISKANI KAIRA: When I left school, I had about a year left, so I was about 20. With no real plan, I just got out there. I moved to Atlanta because my sister lived there. Then I did internships in New York and New Jersey, but my real journey began in Atlanta.

MONARCH: Do you remember your first styling job that you ever had?

FISKANI KAIRA: Atlanta and music go hand in hand, so my first paid job was a music client.

MONARCH: Are you actively styling now?

FISKANI KAIRA: That’s a running joke. I started the Ivy Showroom in Atlanta. After years and years of styling, I did tours. I traveled the world. I’ve styled all these people you could think of, all these celebrities, and I said I’m going to retire and open a showroom. I’m going to put all these amazing clothes in it. And I will provide two stylists or whoever just needs something to wear for a special occasion. I’ll just kind of sit back and they’ll pick whatever they want and meet me at the register; you pay for whatever you need, and you go on your way. And that was my big retirement from styling. The joke has been on me ever since. I’ve styled more people in this retirement than when I actually was the “stylist.” So I guess you never stop. “What makes the Ivy Showroom different is that it’s a beautiful space, thousands of square feet of just tons of wardrobe from different designers and inclusive and welcoming to all.” Introduces the House of Fiskani and expresses her process, passion, and purpose.

MONARCH: How much of Zambia do you pull from when styling for yourself or a client?

FISKANI KAIRA: That’s interesting. I think as a stylist, one should be authentic. So when I style someone, it should be to enhance their look so it’s authentically theirs. I just enhance what you have going right. So whether its Zambian style or American or Atlanta or anywhere else, I just try to make sure it’s authentically yours. MONARCH: What were some crucial things that you learned along this journey of entrepreneurship, in running a business? For a lot of entrepreneurs, they get into it because of passion. You start something that you love. Then, when you turn it into a business, you realize, “Oh my god, accounting, financing…”. Do I have an accountant? Do I have an attorney? Do I have the funds? Talk to me about some of those challenges or some or those things that you did, that you put in place that maybe were the smartest things you could have done that have helped set your foundation. FISKANI KAIRA: Early on, it was just passion. I was just helter-skelter, just moving, just happy to be working. You book me, you book me, and then the IRS is like “You owe this,” and I’m like “Wait, wait, wait… How come I owe this?” You know, this is a business, so it needs to be structured like a business. I’m still passionate and very happy that I could turn what I am passionate about into a business.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com