NEW EDITION: Ronnie Devoe

NEW EDITION Ronnie Devoe

Monarch magazine: This is Naomi from Monarch Magazine, how are you?

Ronnie Devoe: I’m wonderful as a matter of fact. And, how are you?

Monarch magazine: I’m pretty good. Or, I’m wonderful, I should say because that sounded amazing.

Ronnie Devoe: Right, that’s right, you have to speak it into existence.

Monarch magazine: So, I’m going to be saying that for the rest of the day when some asks me, “How you doing?” I’m wonderful. So, thank you of course for meeting with me today, I know you have a busy schedule, but I really want to thank you for getting me in to do this interview.

Ronnie Devoe: Yes, it’s not a problem at all. It’s all a part of the process. It’s exciting times, you know, to be able to talk to people such as yourself that value, you know, what’s going on with this New Edition story and I mean there’s just some intrigue going on across the country and the world, as a matter of fact and we’re riding that wave.

Monarch magazine: And that’s a good segue into talking about maybe some of the things that the viewers will see in the New Edition film.

Ronnie Devoe: Right, well okay…you know I can’t give too much away because we want people to tune in of course, but they’re going to learn so much about this group that they have not seen or heard of before. Fortunately for us, I think the thing that allows people to feel like they’re anticipating this story so much is because we didn’t come out in the age of social media, you know, or reality television. It’s like train wreck TV is all about your dirty laundry, you know. We came out in an era where it was about um, sweeping things under the rug, you know, hiding things under the closest and all of the above. And, I think that that lends to the fact that people want to see and know like what are the inner workings, you know, what happened behind the scenes. They seeing us do our thing of course on stage and all of the above, but you know how did, you know, Bobby and Ronnie hang out with each other? You know, what made Ralph and Michael’s relationship tick, you know, off stage? You know, those are some of the things that we’re going to expose in this movie and of course it’s hard to do 33 years of history in a matter of what maybe five hours in total. But we’re just truly excited about the fact that it is a miniseries and not just a major motion picture where we would only have those two hours to work with.

Monarch magazine: So, movies like NWA’s Straight Outta Compton, did that really, like, fuel you guys to really want to get your story out there or was this something you were already planning to do over time?

Ronnie Devoe: This has been in the making since right around 2005. Jesse Collins, who is the executive producer on the film, thought of this while we were working on the BET Awards around that time, Michael Jackson’s passing and all of the stuff that was going with them trying to pull New Edition together for this performance. BBD was already slated to be on. But everything that went in to pulling the six of us together and you know the up and downs, the roller coaster ride of that week, we just saw a light go off in his head that made him feel like this is a major motion picture just with the week that I been dealing with these cats trying to pull this thing in. So, you can imagine the 25 years before that, give or take a couple. Including the turmoil that we went through on the Home Again tour which was one of the most anticipated times in our history as a crew. So yeah, it’s been in the making, you know, in the works for about 10 years, a little over 10 years now. But, the fact that Straight Outta Compton was so successful made us feel like okay yeah, you know who’s up next, when you look at the music industry and stories that people care about, whether it’s 2Pac or NWA or groups like maybe even Wu-Tang you know that haven’t been able to tell their stories. Even when we saw you know made us feel like damn, this feels like our story. When we saw the Temptations story, then you know, it made us feel like those are elements of our story. And of course, you know the Jackson story, those are the things that kind of inspired us before Straight Outta Compton was even a reality.

Monarch magazine: So, who do you credit with helping to pull this movie, to get the final product done?

Ronnie Devoe: I would say, number one you know, the six guys of New Edition, and then the extension of New Edition, Brook Payne. You know, we call him that seventh member. The godfather. The gentleman that gave us our name, and know told us that we were going to be a new edition to this music industry at a time when we were excited about being entertainers but had no idea the magnitude of what he spoke into existence with that name. So, you know, the seven of us and then Jesse sitting at the table in 2005 and saying, yo this thing could work as a movie. And then BET jumping on board knowing all the history that we’ve had with them. I don’t know if you’ve seen it yet, I know that they sent like one to out to some of the journalist or what have you. But, an amazing job with casting. I mean Chris Robinson as a director, the passion and the desire, the fanaticism to a certain a extent that he (Chris Robinson) brought to the table as far as New Edition is concerned, you know, it’s almost like you pay for the camera and that camera costs you $1,000. But you’re able to get $5 million of worth out of this $1,000 piece of work and that’s how Chris Robinson attacked this situation. And the list kind of goes on and on. But those are some of the major players.

Monarch magazine: So, being one of the last member to join New Edition, what is that you think you brought different to the group that wasn’t already in the dynamic?

Ronnie Devoe: I think um, you know, when you look at history and what people say about each member, to me I feel like the center. When you look at New Edition as a five-man group, you know you have Ralph as the lead. Right, then you have Bobby and Ricky handling their business. You know so, then myself and Mike. So, you know boom, the lead is out front, so who’s going to hold that center as far as the five is concerned. The center as far as choreography and dancing is concerned. When that lead is handling business with the background doing it, who’s holding it down back there. Ronnie DeVoe is one of the cats that holding that background down and making it feel like it’s a lead type situation. You’re not missing anything back there. You know from a dancing perspective I think I held the center and then, on top of that, when we look at our relationships in general and how we interact with each other, we have some extremes. You know honestly in our group in the far left and in the far right. And I believe I fit in that center position to be able to kind of hold things together at times to pull that far left in, pull that far right in, just to make peace and allow things to get moving forward at times.

Monarch magazine: So obviously, with that being said, New Edition has gone through many transitions and even challenges over the years. So, how were you all able to work through those issues?

Ronnie Devoe: Aw man, first of all I want to say by the grace of God because none of us understood what it took to get through the 33 years of history that we’ve gone through. It was trial and error every step of the way. You know, I wish we could have had a blueprint. But, God first. And then, I believe you know just the desire to want to give the people what they want ultimately. And for any of our fans who would ask us at various times where we might have been battling against each other or what have you, when are ya’ll gonna put out a record, or I want to see ya’ll on tour and those types of things eat at your heartstrings. You know, even if you’re sitting on the far right of a decision or what have you and it’s like, look, I’m the stalemate, I’m holding firm to my passion and what I feel about this situation to the point where I’m just gonna stay away from it for a year or whatever that may be. You know, when you hear those “in-it-for-lifers” pulling at your coattails like what the hell is going on, it tugs at your heartstrings. So, I think the love for what we do, the love for our fans, and the fact that we want to give the people what they want. And then the space that we were able to have at various times, which in hindsight lends to the depth of the group. You know, not only to have success. You know consistent success as New Edition. Two million records each time we put something out.

We kicked Bobby out of the group, that was a hard time for us. But, if we didn’t kick Bob out of the group, you wouldn’t have “My Prerogative” and “Don’t Be Cruel” and a lot of the things he was able to go and do outside of us. And then Ralph and Johnny, you know feeling like it was their time leave. And Johnny to leave because he was already a solo artist of course. And Ralph feeling like look, I want to extend on this thing that I need to do for myself, allowed for me, Mike, and Rick to shine and form this thing called Bell Biv DeVoe. So, I think the space allowed for us to miss each other at times and pull this thing back in and allow our brotherhood to shine at various times. So, you know, ultimately it’s in God’s plan and I’m just excited about the fact that we had enough wisdom to make the decision to lead to the fact that we have this story that’s getting ready to be told.

Monarch magazine: Yeah, you know it’s getting ready to be released in a couple of weeks. Time is just flying. And I know from the fan perspective there is a lot of excitement surrounding it.

Ronnie Devoe: We want to make sure that with the excitement we’re hearing about, watch parties that are going on, etc. It feels like a family type of movie, where you get your grandparents and children together to watch. But we want to make sure that with these watch parties that people set their DVRs back at the house, because we want to ensure the Nielsen ratings to show that this type of movie for our community and our heritage and our culture is the kind of movie that broke records and was supported by the masses.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com