Roland Martin: Politics As Usual

For those of you who may have been under a rock for the last few years and do not know Roland Martin, you have several ways to get to know him: he has penned three books, he is a commentator on TV One Cable Network and is currently host and managing editor of Washington Watch with Roland Martin, a one-hour Sunday morning news show. He has interviewed both the president and the first lady of the United States of America. And now, there is one other way: a rare one-on-one sit-down with one of African American’s most popular political journalists.

Courtney Penn Blevins: In your political experience so far, what has been the worst move you’ve seen politically; the move that has had the most surprising outcome?

Roland Martin: Well, that’s a very broad question. I mean, what do you mean by “worst move” and what do you mean “politically”?

Courtney Penn Blevins: OK, let’s try this: what do you wish Obama had done differently in his administration?

Roland Martin: Van Jones has said, and I agree, that one of the mistakes [this administration has made] is to have allowed that massive online group of supporters to stop driving the agenda. Jones talks about that in his book, Rebuild the Dream. A lot of it [the grassroots support] went silent but then, when the Obama administration needed that group of people to be out, countering the Tea Party, it wasn’t there. Their forces decided to allow the administration to pretty much take over that aspect and I thought that was a bad mistake. He needed to have that group still there.

Courtney Penn Blevins: Well, speaking of questionable decisions, Obama’s personal decision about gay marriage seems to have caused quite a ripple. But isn’t this more of a personal, moral decision on Obama’s part? In your opinion, how blurred is the line between church and state becoming?

Roland Martin: I think when people talk about church and state they don’t recognize the current level of influence faith and religion has on politics. However, the Constitution bars a national religion; in fact, the words church and state are not in the constitution. Most people don’t know that; most haven’t bothered to understand that, so as a result, people make political decisions based on their lens of religion. I wrote a column about the lawsuit about the suspension of Alabama Chief Justice Roy Moore over his refusing to remove the statue of the Ten Commandments. Justice Roy was someone sworn to protect the Constitution which is not based on the Bible. When we have had to make political decisions, we are asking for prayer but then, when that happens suddenly their faith informs their decision; this isn’t something we can just pick and choose.

Courtney Penn Blevins: But how do you weigh in? Given your connection and involvement with the church, do you find it difficult personally to separate the two?

Roland Martin: Have we ever had a president who is an atheist or a non-Christian?

Courtney Penn Blevins: Not to my knowledge.

Roland Martin: No, of course not. We haven’t because it matters to voters but they are saying two different things. There was a picture of Obama surrounded by a group of apostolic pastors and that picture was popular and they want to keep church in politics but that can’t be.

Courtney Penn Blevins: Well, how about wins for Obama? What do you think of Obamacare?

Roland Martin: Oh, I don’t call it Obamacare, because opposition uses that term to belittle it.

Courtney Penn Blevins: I’m so sorry.

Roland Martin: Yes. I call it by its correct name: the Affordable Health Care Act signed by congress. This is something that presidents for years have been trying to get done and it’s finally gotten done. There is no way to say this is not a coup.

Courtney Penn Blevins: Another win?

Roland Martin: The economy. We have been seeing starts and stops and we’re finally seeing more jobs. Another win for the Obama administration? They have been attempting to reinvigorate community colleges throughout the US and that is great. Some difficulties the current administration has been experiencing: foreclosures and the housing ordeal. There have been some stops and starts with the housing crisis, too, but in addition to the obvious problem, fifty-three percent or more of Black wealth has been wiped out due to this housing crisis. And, finally, the Financial Reform Bill, which passed Congress and was touted by the administration as one of the toughest bills in years, included some unwise concessions and it did not include many things that could have been done with this legislation that were not. If we’d had a far more aggressive term, not so focused on the “do no harm” mantra, we could have made some substantive changes.

Courtney Penn Blevins: Obama’s election has had a remarkable effect on African Americans’ participation in politics, from rallying to the polls, to table conversation. Do you think we as African Americans will maintain our interest levels in politics with this campaign or will it falter?

Roland Martin: First and foremost, it’s important to realize the factors are different in terms of what we’re dealing with and seeing. People got involved in 2008 for different reasons. The thing I’ve always said about “hope” and “change” is that it could mean 1,000 different things to 1,000 different people. This time around, it is difficult because we don’t have the same motivation. We must recognize what has changed, what is different and what makes this [campaign] unique. We’re not going to see the same level of intensity because of those changes and the different factors. The messaging, frankly, from the campaign is also going to be different because it is coming from an entirely different move.

Courtney Penn Blevins: And those differences?

Roland Martin: Last time, you had forces that were very vocal and ready to take President Bush on in a significant way. An anti-war movement had mobilized in 2004 and that is not at play this time. This time, people are on the other side: oppressed and out. The other difference is Obama will be running on his actual record, versus what he would like to do; this significantly changes how you run. And also, although the economy was a huge deal last time, it’s going to play a different sort of role this time because of how entrenched the economy has become: how slow it has been for us digging out of this hole.

Courtney Penn Blevins: Your show, Washington Watch, gives you a most advantageous position as a political leader…

Roland Martin: I am not a political leader. I am a journalist.

Courtney Penn Blevins: Well, if people see you as a leader, you are, right? You may not want to be one, but oft times, one is as people perceive one to be. But, I will concede: you are a journalist. Your guests, people like Maxine Waters, Angela Rye, Hilda Soldis, Pete Olson are incredibly diverse and offer a wide-range of viewpoints and experiences for your viewers. What is your main goal with bringing on the types of guests you do?

Roland Martin: For us: the guests and myself: to speak clear and uncompromised truth. If we disagree, we disagree. I do not allow “alternative” facts. I do not allow people to “spin” and not be truthful because it does not do anyone any good. I am looking at these issues from an African American perspective and I want to have those people coming on to the show looking at our issues from our perspectives. Too often we look at those other shows and our issues get too wrapped up in their agendas.

SEPTEMBER GRAY
Proprietor of September Gray Fine Art Gallery

BIO 

Gray’s life’s work is a reflection of her enduring passion for the arts. Following a noteworthy career in the performing arts, Gray launched a successful fine art consultancy practice wherein she was celebrated for her ability to assist corporate and private collectors with articulating and executing single acquisition and long–term collecting strategies. Gray’s career in the arts and decade as an art consultant inform her role as gallerist. An avid collector, Gray has a talent for “speaking the language” of both artist and collector and a knack for connecting the gallery’s clients to works by artists whose vision and methodologies resonate with their individual tastes, complement their existing collections and honor their overall investment strategy and appetite for risk. Gray holds a B.A. in Art History from DePaul University. A committed art education advocate, Gray serves on a number of non-profit boards and is co-founder of The Gray Foundation, an organization committed to building a world of enriched life options for youth through the promotion of art and education. Gray shares art news and collection strategies in her electronic quarterly journal, The Gray Book.

https://septembergrayart.com/

JUSTIN SULIVAN, CFP
Senior Vice President Market Leader

BIO 

Justin oversees a team of professionals striving to achieve the highest level of client satisfaction. His top priority is that the team not only meets, but also exceeds the client’s expectations. Through Justin’s leadership and commitment, he helps ensure that the client benefits form a full complement of investment, trust, financial planning and private banking services to help them achieve their financial goals.

XAVIER DANIELS

BIO  

Paintings are influenced by his experiences with brotherhood at both Morehouse and as a firefighter. In creating his art, he is actively thinking about the perception of black men and attempting to be a catalyst for a different view on the black male experience. According to Daniels, the conversations happening in popular culture about black males leave them invisible in discussions about themselves. The portraits of black men Daniels creates are large in an effort to symbolically assert black male presence into those conversations. His work has been shown around the world through Almine Rech and Richard Beavers Gallery. Xavier lives and works in Atlanta, Georgia.

https://xavierdaniels.com/

MARRYAM MOMA

BIO

A Tanzanian-Nigerian visual artist based in Atlanta, GA, is renowned for her prolific exhibition history. Moma’s dedication to her art has earned her prestigious residencies at The Migration Artist Residency, Atlanta, GA, and a blended residency and teaching opportunity at The Swimming HoleFoundation in Upstate NY. The Hambidge Center for the Arts awarded her a Distinguished Artist Fellowship, enriching her narrative-driven solo exhibitions like “ICONoclasts.” This showing intertwines paper cut elements to celebrate and empower revolutionary Black figures. Moma continues to innovate within her practice, expanding her presence through murals, public art installations and exhibitions including an indoor mural for Clark Atlanta universities student innovation lounge sponsored by Dell Technologies and Home depot, ICONoclasts Atlanta building-wide public installation sponsored by Dashboard and If Not Us then Who public digital art mural sponsored by A&E Atlanta. 

https://www.marryammoma.com/

DL WARFIELD

BIO

Atlanta-based artist DL Warfield, a veteran artist who has consistently proven himself a talent of the highest caliber – one who has delivered at the highest levels repeatedly throughout his life and career. Yes, many artists are talented; DL Warfield is prolific.

Warfield’s body of work proves his instinctive knowledge and understanding of pop culture and has given him a permanent place at the cutting edge of the new and next. From St. Louis to New York City, Atlanta and worldwide, his talent, skill and endless creativity have taken him to the top of his field again and again, and he intends to push forward wherever a path to artistic excellence can be forged.

The following is a snapshot of his works and clientele. 

Nike, Sprite, Heineken, Anheuser-Busch, Geffen Records, Sony Entertainment, DreamWorks, Sony Music, OutKast Inc., Universal Records, Boys & Girls Clubs, HBO, Virgin Records, Coca-Cola, Adidas, Vibe Magazine, automotive giant Ford Motor Company. He designed the branding for the City of Atlanta’s Film and Entertainment office and at the same time, His fine art has been featured at national landmarks, including the Time-Life Building in New York City, and the Muhammad Ali Center in Louisville, KY, which he loaned two original pieces for three years.

https://dlwarfield.com/

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region. 

www.eddiefontno.com

RSVP

We are no longer accepting RSVPs for the Art of Luxury Lifestyle Dinner, but you are welcome to RSVP Here for the Portrait Reveal Event from
9:30PM to 11:30 PM!

ROBERT KOOL BELL| LE KOOL CHAMPAGNE

BIO

For many years, Robert Kool Bell, Leader and Co-founder of Kool & The Gang, sought out Grand Cru Vineyards from owners that have been selling for generations and decided to work with Paul Berthelot a Multi-Vintage producer since 1884. Voila The Celebration Champagne was born! 

https://lekoolchampagne.com

EDDIE FONTNO

BIO

A native of the Bronx, New York, is most inspired by the brilliance and uniqueness of excellence within the African American culture. The subjects of his work have all possessed a transformative greatness, which paved the way and changed the lives of many, providing a guiding light for the world around them. Fontno takes a subtle approach and focuses on that “light” to capture the detailed nuances through his usage of graphite and oil paint (black and white) that enhances the contrast between light and dark. Fontno’s never-ending quest to find truth and beauty in its most natural form is reflective in the choice of figures in his pieces; paying homage to those who have in some way shaped his view of the world and positively affected his evolution as an artist, father and man. Fontno attended the High School of Art & Design in New York, New York and Howard University in Washington, DC. His work has been displayed in the White House (Madam Vice President Kamala Harris’ private office) and the much-acclaimed October Gallery in Philadelphia, Pa. He has also been commissioned for portraits throughout the Northeast region.

Website: www.eddiefontno.com